Even scientific-military types are potential victims of the blob.
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Showing posts with label 1988. Show all posts
Showing posts with label 1988. Show all posts
Sunday, October 5, 2014
The Blob (1988) #393
Horror movies are constantly being remade with updated special effects, modern story lines, and/or cultural twists. The 1988 remake of "The Blob" is an attempt to cash in on a classic film with mediocre special effects that wear thin by the end of the film. Besides a few minor tweaks, the movie is almost the same as the original but takes advantage of having an "R" rating by introducing elements of sex, gore, and language. The movie feels VERY 1980's and falls into the trap of trying to be bigger and flashier than the other movies out at the moment. But like the original, the film is campy, fun, and entertaining as long as you're not looking for something too serious or outright scary.
Wednesday, April 23, 2014
Phantasm 2 (1988) #369
I'm a firm believer that Don Coscarelli never planned to turn "Phantasm" into a series and that a sequel only came about because the studio that he worked for demanded one and soon! It took nine years for it to come, but eventually the world was given "Phantasm 2". It appeared that the studio had other demands as well, including the recasting of the main character and no funky dream sequences or abstract events. This doesn't mean that "Phantasm 3" is any easier to follow! The sequel is almost just as loopy and bizarre as the first film. And like many sequels that came out in the 80's, everything had to be bigger than before; there are now different kinds of flying orbs, including a gold one with a targeting ray, and let's not forget Reggie's four barreled sawed off shotgun. Even though it has changes and it might not be the sequel that Coscarelli wanted to first give us, I thought it was a fun and enjoyable little movie.
The film picks up six years after the original, with Mike having spent the last few years locked up in an asylum. He fakes his recovery and makes his escape after having repeated dreams about a blond girl who will soon be in danger from the Tall Man. (I honestly thought it was the neighbor girl who's grandmother gave him a fortune telling). Mike meets up with Reggie who soon comes to believe Mike's crazy idea after his house blows up minutes before they arrive. The two load up on weapons and gear and head to the West Coast looking for the Tall Man and his minions. It's in the deserted little town of Perigord, Oregon, that the two find Liz and the Tall Man; along the way they also pick up a hitchhiker named Alchemy who Mike doesn't trust. Soon there are dead bodies, minions, flying orbs, the Tall Man, and fighting. Like most classic 80's horror movies, the villain is defeated and the heroes make their getaway only to be fooled yet again as the Tall Man has the last laugh.
The film picks up six years after the original, with Mike having spent the last few years locked up in an asylum. He fakes his recovery and makes his escape after having repeated dreams about a blond girl who will soon be in danger from the Tall Man. (I honestly thought it was the neighbor girl who's grandmother gave him a fortune telling). Mike meets up with Reggie who soon comes to believe Mike's crazy idea after his house blows up minutes before they arrive. The two load up on weapons and gear and head to the West Coast looking for the Tall Man and his minions. It's in the deserted little town of Perigord, Oregon, that the two find Liz and the Tall Man; along the way they also pick up a hitchhiker named Alchemy who Mike doesn't trust. Soon there are dead bodies, minions, flying orbs, the Tall Man, and fighting. Like most classic 80's horror movies, the villain is defeated and the heroes make their getaway only to be fooled yet again as the Tall Man has the last laugh.
Monday, March 24, 2014
Maniac Cop (1988)
I wanted to like "Maniac Cop" because it co-stars a young Bruce Campbell trying his acting chops outside of the "Evil Dead" films but this movie is too clunky and poorly acted by to many of the other actors to really get into. This was also during the time that the slasher/stalker sub-genre was becoming too diluted and a film really needed to stand out from all of the other cookie cutter imitations, which this ultimately becomes even though it had sequels following the original film. The scares are few and far between and not worth the time watching even thought Tom Atkins and Bruce Campbell really try to carry the movie as well as they could.
A tall, stocky New York cop is going on a killing spree, murdering innocent citizens and not the felons or vigilantes that would normally be expected. Jack (Bruce Campbell) is set up as the fall guy after his wife is found murdered in the hotel where Jack was caught having an affair with fellow officer Theresa and is arrested, even though the murders continue. Theresa and Lieutenant McCrae (Tom Atkins) keep searching for the real killer and discover that is a fellow police officer named Cordell who was arrested for police brutality. Cordell was trying to clean the police department of corruption as well and is back from the "dead" with an agenda for revenge.
A tall, stocky New York cop is going on a killing spree, murdering innocent citizens and not the felons or vigilantes that would normally be expected. Jack (Bruce Campbell) is set up as the fall guy after his wife is found murdered in the hotel where Jack was caught having an affair with fellow officer Theresa and is arrested, even though the murders continue. Theresa and Lieutenant McCrae (Tom Atkins) keep searching for the real killer and discover that is a fellow police officer named Cordell who was arrested for police brutality. Cordell was trying to clean the police department of corruption as well and is back from the "dead" with an agenda for revenge.
Thursday, October 10, 2013
Pumpkinhead (1988)
“Pumpkinhead” is a surprisingly great movie that stands the
test of time! It’s been over twenty years since I last saw it from beginning to
end, but watching it last night made it feel like I was seeing it for the first
time. As a teen, I could care less about the setup in the beginning, all I
wanted to see was Pumpkinhead killing people and seeing who lived and who dies
and how. Now, I see a movie that is about a man’s journey and the choices he
makes and how he’s forced to live with them. From the heart wrenching tragedy, to
the wicked agreement to summon a demon to kill those responsible, and finally
to the turning point when he realizes that what he did was wrong and takes the responsibility
to end his agreement with the demon. I can only wonder if he would have had the
moment of change if he didn’t know exactly what was happening to the teens as
they died; would he have still felt the guilt or would his vengeance be satisfied?
This film has very little to do with the teens that are chased and killed or
the demon Pumpkinhead, it’s all about Ed Harley and that’s a wonderfully
refreshing change.
Lance Henriksen shines as Ed Harley, a famer and store owner
who lives alone with his young son and dog. He loves his son dearly and is
devastated beyond belief when his son dies in a careless accident. In his grief
and rage, Ed makes a pact with a witch and summons the local demon of vengeance,
Pumpkinhead. The demon goes straight to work and begins killing the teens that
were with the man responsible for the accident. But with every death, Ed takes
a step closer in becoming one with Pumpkinhead, first by seeing what the demon
sees, and then finally a physical resemblance between the two appears as the
deal comes near its end.
Thursday, August 29, 2013
Child's Play (1988)
One of my favorite movies about casting spells, besides "Lord of Illusions"
which I've already talked about a few months ago, is "Child's Play".
Yes, I'm serious; most people would never connect this movie with the theme of
spells but that's how Charles
Ray Lee's soul got trapped
within a plastic doll, by using evil witchdoctor voodoo magic! This movie is
clever and thrilling and doesn't have any of the dumb jokes or attempts at lame
puns that were rampant in the sequels. I
wish I had been able to see this movie without knowing anything about it or
about Chucky because I would love to see if there is any real suspense in
trying to figure out if the young boy Andy or Chucky is the real killer.
All Andy wants for his birthday is one of the
extremely popular “Good Guy” dolls for his very own. He’s a lonely kid and his
single mother Karen tries her best to be there for him and is heartbroken that
she can’t afford the gift he wants. Her best friend finds a homeless guy behind
their retail store that has one and Karen buys it from him. Unfortunately this
doll has been possessed by the fugitive serial killer Charles Lee Ray, who transferred
his soul into the doll after he was fatally shot by the police detective that
was chasing him one night. Charles, now going by the name Chucky, befriends
young Andy and begins to frame the child for his murderous deeds. Just because you’re
a doll doesn’t mean that you have to give up your hobbies or let loose ends get
out of hand. When Chucky learns that he has a limited amount of time to find a
new host or else be trapped in the doll forever, he sets his sights on Andy; unfortunately
the police detective and Karen are going to do everything they can to keep that
from happening.
Favorite moment – I love the point-of-view camera moments when Chucky
is running around. It’s close to the ground and gives the right feeling to what
Chucky sees and how fast the little guy can go!
I’m also super impressed by how well the
animatronics for Chucky are. This movie was made in the golden age before CGI
and how they made his face move when he spoke is awesome.
Monday, July 8, 2013
They Live (1988)
In 1988 John Carpenter teamed up with former wrestler Roddy
Piper to create a very manly, macho movie about aliens that are taking over the
world but can only be identified by wearing special goggles. The aliens look
like zombies and the overall story arch feels like a variation concept of “Invasion
of the Body Snatchers”. The movie is best known for a particular scene which I
will talk about later. Carpenter wrote and directed the film which turned out
to perhaps be the high mark for Roddy Piper’s acting career.
Nada (Roddy Piper) is a drifter who finds work at a
construction site, due to the fact that he had his own tools. He impresses some
of the other crew members, one being Frank (Keith David from “The Thing”) who
takes him to a homeless camp that is serviced by a soup kitchen. During the
night Nada is woken up by a blind preacher yelling for people to wake up. Nada
decides to check out the church and finds that it’s empty but has a recording
of a choir playing loudly. He also finds boxes filled with dozens of
sunglasses. He discovers that the sunglasses reveal that posters are covered
with commands to obey and conform. He also sees the aliens, who are in
positions of power and authority. It doesn’t take the aliens long to realize
that he can see them and thus the bloodshed begins, with Nada killing two cops
sent to arrest him. Eventually Nada finds Frank and attempts to make him try on
the glasses, which Frank refuses. And thus begins one of the best, longest
fight scenes in a movie. Ever. When Nada finally wins, Frank realizes that his
friend wasn’t crazy. Now the two go forth and try to find a way to disrupt the
radio signal that is blinding humanity from the truth….
Favorite moment – The fight scene! It even inspired on of
the best episodes of South Park, (Cripple Fight)!
http://www.youtube.com/watch?v=xXFvq2ycilg
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