I love a well made horror anthology and “Southbound” was a delightful joyride. The strength of this film is how graceful the five segments are connected and flow from one to the next. Running at 89 minutes, the five separate segments don’t feel rushed and are given enough space to develop narratively.
Each of the five segments had their own director and cast. I
honestly couldn’t tell the difference in direction styles between the segments
because it really did flow that smoothly. The director collective Radio Silence
helmed “The Way Out” and “The Way In”. Roxanne Benjamin, best known for “V/H/S”
directed “The Siren”, while fellow “V/H/S” director David Bruckner helmed “The
Accident”. Patrick Horvath, who directed the segment “Jailbreak”, is the only
director I who I was not previously familiar with.
I did enjoy one or two more than the others but I felt that
was due to the story than any other factor. Each story is cleverly crafted to
carry on from the previous segment and then transition into the next. This is
impressive because each segment is also written by a different writer. There’s
not much to say about the actors because the performances were all well
throughout. Makeup was the main form of effects throughout “Southbound” although
other practical effects as well as CGI were utilized. There isn’t too much
outright gore or violence but this fact doesn’t water down the horror in the
film.
“Southbound” could refer to travelling south as the stories
are all interwoven by their shared theme of horror and terror on the open road
of a desert highway. Or it could refer to the various characters entering their
own personal hell, as in south of heaven. You, as the viewer, get to decide….
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