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Wednesday, October 28, 2020

The Invisible Man (2020) #472

 


The film “The Invisible Man” proves that you don’t need a big budget to make a big, incredible movie. Star Elizabeth Moss has the performance of the year as Cecilia Kass, a victim of domestic abuse who believes that her ex Adrian is still tormenting her after his apparent suicide. Leigh Whannell wrote and directed the film, updating and modernizing this adaptation from the novel of the same name. With a budget of only $6 million, “The Invisible Man” took in a box office total of $134 million and have earned more if not for the pandemic closing theaters down earlier in the year.




Elizabeth Moss had her work cut out for her in this film, spending most of her screen time fighting against an unseen force. Her physicality is spot on and completely believable as she’s thrown around and struggles against the invisible assailant. Her range of emotions are also upfront and center, starting the movie as an already beat down and abused woman. She finds the strength to leave her abusive boyfriend and start a new life. When unexplained occurrences begin around her, Cecilia’s composure and resolve are pushed to their limits.




The narrative in “The Invisible Man” is smart and sharp, keeping the theme of abuse and manipulation as the central focus throughout. Cecilia is framed several times and takes the fall. But Cecilia isn’t the only character to fall victim to Adrian; Adrian’s brother Tom expresses how he was used and Cecilia’s friend James is led to believe that Cecilia is a threat to him and his daughter. 



The explanation for the invisibility in “The Invisible Man” is clever and believable. Can’t share too much without spoiling anything! The special effects and use of CGI is used sparingly and wisely, relying on Elizabeth’s great acting and physicality to make the most of the action sequences. This is most definitely a movie that I’ll watch several more times over the next year or two. Action packed and suspenseful, “The Invisible Man” is a must see for 2020.

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