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Showing posts with label Ryuhei Kitamura. Show all posts
Showing posts with label Ryuhei Kitamura. Show all posts

Friday, February 28, 2014

Versus (2000)

While many consider the film "Versus" an original break through, I was simply not impressed or entertained by it. There were moments that had my attention but those were unfortunately few and far in between. The acting was mediocre, the plot was meandering, and the comic moments came across as flat. I appreciate that the director, Ryuhei Kitamura, tried to incorporate so many different styles and succeeded in doing so for the most part, but it failed to keep me invested with the characters or the story itself.

The "hero" is simply known as Prisoner KSC2-303 and he is on the run from a group of Yakuza strongmen who want to kill him and a mysterious girl that they brought along to a secret meeting. The action of the movie takes place at the Forest of Resurrection, a location that is suspected to be one of the 666 portals on Earth that connects it to the Other Side. Prisoner KSC2-303 and the Girl run off and hide in the forest while the Yakuza follow, trying to capture the two before their boss, the Man, comes. Inside the forest, everyone encounters and is forced to fight a horde of hard to kill zombies. The film is a twisted mess of nonsense, sword fights, zombies, and eternal show downs.





Monday, April 29, 2013

The Midnight Meat Train (2008)


Shortly before I began this horror review project, I learned that a few of Clive Barker’s short stories had been turned into movies in recent years. I was only aware of the final installments of the “Hellraiser” series so I was of course quite excited. “The Midnight Meat Train” is such an example, a film from 2008 that was adapted from the story of the same title. I had not read that story so I had no idea what to expect while watching this tonight. I can now say that this is a wonderful discovery and a great horror movie all around; plenty of gore and cheesy special effects that don’t distract too much, awesome casting (Bradley Cooper and Vinnie Jones), Clive Barker as a producer, and a Japanese director who has a Godzilla credit on his resume!

Leon is a photographer trying to make his way into the art scene. His girlfriend Maya pulls some strings and sets him up for an interview with a prestigious gallery owner. At the interview, he’s asked what it is that he that he’s trying to show in his photos; he explains that his art is to capture the essence of the city. Leon is told to come back once he has something that “really” shows the nature of the city. That night, Leon goes out and takes pictures of a gang harassing a model as she’s waiting for a subway. They leave once Leon points out the security camera that he’s standing next to and stays until the model gets on her train… to only never be seen again. It turns out that there is a killer who rides the subway late at night, and once the train is nearly empty, he goes about killing the riders with a large metal mallet hammer.

Leon makes the connection that the model’s disappearance and the killer (Leon saw a ring the killer’s hand) and follows him to a meat packing factory. Leon begins stalking the killer, known as Mahogany, and one day takes a few pictures of him at the plant. Mahogany notices and the two play a game of cat and mouse among a store room full of hanging sides of beef, as Mahogany gives chase with a meat hook in his hand. Leon gets away and is later able to get on the subway without having Mahogany notice. As the train is going along its course, which at this time of night it leaves its actual standard route, Leon watches as Mahogany ruthlessly kills two passengers and begins to remove their teeth and eyes, shave their hair, and neatly pack up their clothing in plastic bags. The meaning behind it all is unique and an excellent example of early Clive Barker.

Favorite moment – The fight scene between Leon and Mahogany on the subway.
Second favorite moment – The guest appearance of Ted Raimi. It’s short and to the point.