The "V" Word (2006) #388

I must admit that I thought that the "V" word was going to be video games because that seemed like the focus at the opening of the this episode of "Masters of Horror". But I was wrong and halfway through the piece I realized that it stood for vampire, and I was sorely disappointed. The first half was unique and different; focusing on two friends who grow bored of playing video games and decide to find something more thrilling to do in real life, so they break into a funeral home and run quickly run into trouble. The second half wasn't nearly as interesting and readily fell into typical vampire territory, with one friend embracing the change while the other struggles. I was also disappointed with the small role the Michael Ironside was given, although he did a great job with the time he had.

Oculus (2013) #387

I've never liked split narratives that follow separate story lines that occur in the past and the present because I feel that any tension that is built is lost in one timeline when it switches back to the other. In the 2013 horror movie "Oculus", this technique is used to various degrees of success; the first 30 minutes was difficult to follow but the film finds a pleasant rhythm switching back and forth in the second act. It follows two siblings, both as pre-teens and as young adults, as they deal with an evil, possessive mirror that has a long history of being owned by people who have all suffered bizarre and gruesome deaths. The movie was written, edited, and directed by Mike Flanagan, expanding a short film that he had created in 2005. Overall, I enjoyed the film and noticed several similar themes that are found in the film "1408" and "The Amityville Horror".

A young family moves into a new house, where the father purchases a gorgeous antique mirror to decorate his office. The mirror is evil and soon possesses the parents who turn viciously on their two children. The son is blamed for his parents death and is sent to a psychiatric facility for 11 years while his older sister becomes obsessed with learning the history of the mirror and eventually obtaining it for a scientific experiment to prove that it is supernatural. The two siblings meet at their childhood home, where the sister has set the mirror up with a series of video cameras and computers to record and track the occurrences within the room. It's not long before the mirror begins to effect the two and the objects within the house, including making the plants wilt and influencing the siblings without them realizing it. Will the siblings resist the mirror's evil force or will they end up victims like all of the mirror's previous owners?

Favorite moment - When Kaylie (the sister), bites down on a light bulb after the mirror tricks her into thinking that she picked up an apple.

You're Next (2011) #386

"You're Next" is a thrilling standout in the home invasion horror sub-genre. The premise presented delivers an excellent reason as to why there are so many potential victims and an even more delightful and satisfying reason as to why the film's heroine is so well suited for the chilling situation that she finds herself in. The acting is solid, the pacing is perfect, and the movie's twist and turns feel fresh and exciting even if you see them coming (which I didn't). Finally, the way that the victims are killed off one by one are creative and varied, making "You're Next" a must see horror film.

Like other home invasion horror movies of recent memory, like "The Purge" and "The Strangers", "You're Next" hides the identities of the invaders by using simple and not overly complicated masks. The use of the animal masks, which were heavily used in movie posters and other forms of advertisements, effectively strike a chord and heighten the sense of terror.

The adult children and their respective significant others gather together in a large rural house to celebrate their parent's anniversary and their father's recent retirement. During dinner, the family is attacked by a group of unknown assailants wearing animal masks. The family is killed off one by one until Erin, a new girlfriend of one of the sons, begins fighting back.

Favorite moment - A clever use using a blender to kill someone.

As Above, So Below (2014) #385

"As Above, So Below" is another horror movie filmed in the shaky-cam/found footage tradition, which is about a young, highly educated, "Laura Croft" type of woman who goes along with her videographer, a friend, and three Parisian guides into the catacombs beneath Paris in search of the Philosopher's Stone; they find the mythical but they also find and enter the gates of Hell. stone butThis movie is perhaps the shakiest of all of the shaky-cam films that I've seen recently, which means that those who are suffer from motion sickness will want to avoid this film. For those who can stomach such visual rides, "As Above, So Below" is worth checking out if you enjoy startling, jump-in-your-seats type moments. If you're more of a horror film connoisseur, you may find yourself a bit disappointed. The film ends with several loose ends and various questions unanswered; this leaves the viewer wanting to know more and feeling a bit cheated. The reason for this is because the script itself strays from the premise and promises that it sets for itself; for example, if the adventurers are experiencing elements from their own personal Hell, then why are there other unrelated elements being presented?

Overall, I enjoyed the most of the film but I was hoping for a little bit more.