Superhost (2021) #505

"Superhost", a Shudder Original Film, was a delightful surprise that I completely love. I had heard a few rumors about the film before I saw it for the first time, and I'm so happy that I followed their advice. The film has a simple straight forward story that has a flawless execution, a topical and well used premise, and a stellar cast. Filmed during the height Covid, the cast of five prove to be more than enough to keep the story moving and the movie entertaining. The photography is crystal clear, the background music supports the scenes without ever overwhelming the moment, and the pacing is perfect. I highly recommend this film for this Halloween season and beyond.

Claire and Teddy are the hosts of a once popular Vlog dedicated to reviewing Airbnb's and other lodgings. They're losing subscribers, so their next review is extremely important, as Claire does not want to rely on her parents for any kind of financial support. They arrive at a remote house that appears gorgeous on the outside, but that's all they can see when the security code they've been provided fails. Trying to call the hosts prove fruitless to the spotty phone reception in the mountains. While recording a scene for the Vlog, Rebecca shows up, the supposed owner of the house, and lets them in. Rebecca seems a little odd but harmless, and once she leaves, Clair and Teddy begin recording their review. They love most of the house but find the overabundance of security cameras all throughout the house concerning.

Tension begin to simmer, first when Claire becomes frustrated with the quality of their first upload and the possibility that their Vlog channel has peaked, and then when Teddy sees a person standing outside at night, starring at the house. During the next day during a walk, Claire suggests they make videos like they used to, videos that had friction with the hosts, but Teddy disagrees by saying that those felt like click-bait; click-bait or not, those videos brought in clicks. This comes back to haunt them when Vera, a previous host tracks them done and confronts them in the driveway. When Rebecca shows up to see what the disturbance is all about, Vera tells her how they gave her a horrible review that ruined her business to the point that she has to sell her house. Rebecca tells Vera to leave or she'll call the cops, but when Vera tries to persuade Rebecca to be careful with the vloggers, Rebecca screams that she'll cut Vera open. Vera speeds away and Rebecca is back to her happy self, saying that she's ready for her super host interview. During the recording, Rebecca's behavior slowly becomes odd and erratic but ends when Rebecca recovers from a trance and announces that she is a super host!

The next day while hiking through the rails, Claire takes the opportunity to record their experience with Vera much to Teddy's chagrin. When they reach a gorgeous lookout point, Teddy sets the camera up and proposes to Claire, something that he had been planning to do from the start of the trip. She acts excited and says yes, only to tell Teddy that he was a genius for such a gimmick, breaking his heart. Seeing how distraught he is, Claire tries to reassure him that they will talk about their future when they get home, and everything she does is for them. When they return to the house, they begin to find evidence that they home may not belong to Rebecca. They agree that they should leave, they pack up and try to drive away, only to be stopped by Rebecca who is standing in the road. Highly erratic, she makes them follow her into the woods where she leads them to Vera, who is tied up to a tree. 

Why is Vera here, tied to the tree? What happened to the original owners? Who really is Rebecca and what does she want with Claire and Teddy? And will Claire and Teddy make it home alive and safe?

The movie stars Sara Canning as Claire, Osric Chau as Teddy, and Gracie Gillam, (Fright Night), as Rebecca. Horror icon Barbara Crampton, (Re-Animator, From Beyond, and others) has a supporting role as Vera. As I mentioned, all four actors give a phenomenal performance that I really enjoyed. The story arc has the twist and turn in all the right places, keeping the film moving at a nice quick pace.

 

Jakob's Wife (2021) #498

Watch the trailer here

"Jakob's Wife" is so much more than just a well-made vampire movie, it offers a serious examination of the dynamics of a married woman working through the struggles that had slowly developed over the years. While the husband thinks everything is fine, she wife is living a life of regret and boredom. This is perhaps one of Barbara Crampton's finest performances, as this script gives her plenty of dynamics to work with. She gets to be quiet and demure and then sexy and commanding. This may also be the most screen time that she has in a single film. Co-starring Larry Fessenden, watching these two old friends on screen together again is a pure joy.

To say that Anne is a rut would be an understatement. She feels trapped, underappreciated, and that she's wasted her youth after she married Jakob, the minister in the small town that they live in. When her old high school crush takes the opportunity to work with her renovating the old mill, Anne's temptation flares in the moment. Unfortunately for her and her old flame, they are attacked by the Master, a Nosferatu/Barlow looking vampire that had made the abandoned mill it's new lair. 

Over the next few days, Jakob notices that his wife is acting different, and he naturally suspects that something happened between her and her ex. While Anne begins to experience life as a vampire as she slowly turns, Jakob finds the vampire nest when he is attacked by a former parishioner. He rushes home just in time to clean up the mess that Anne makes after devouring a curious neighbor. Jakob loves his wife, so together they try find a way to move forward and free Anne from the sway of the Master. Does she belong to Jakob or the Master ultimately, or does she become the master of her own destiny?

This film has fantastic makeup and practical visual effects. It also has some memorable body horror moments, something that is often skimmed over in monster movies when it's such an obvious choice. For example, Anne's bite puncture begins dripping blood while she is taking a bath, so heavily that you can hear the drops hitting the bath water. Another moment is when she is having her teeth bleached at the dentist office. Her sensitivity to bright UV lights causes her face to alit and scorch and blacken her skin. Once she feeds, a horrific body mutilated moment in itself, she heals back to her pale, pasty new normal.

Suitable Flesh (2023) #480

    Making appearances at film festivals around the county during the autumn of 2023, "Suitable Flesh" is a grand return of a H.P. Lovecraft story adapted for the big screen. If this feels like a movie Stuart Gordon might have made, it's because it is written by his long-time screenwriter Denis Paoli, the gentleman responsible for the screen plays of "Re-Animator", "From Beyond", "Castle Freak" and others. The amazing Barbara Crampton is back as well, both co-staring and co-producing the film. With familiar creatives like these two working on a new Lovecraft movie, "Suitable Flesh" is also a film by noted director Joe Lynch, a man with his own vision and sense of production. Most of all though, "Suitable Flesh" is all about Heather Graham in the lead role as Elizabeth Derby. Heather dominates the screen in every scene that she's in, seducing the characters in the story as well as the audience watching the narrative unfold. 

   

"Suitable Flesh" is an inspired take of Lovecraft's story "The Thing on the Doorstep". I truly appreciate the new title because this is both a homage and its own story, touching on some but not all of the original story's main plot points. In this version the gender roles have been flipped and the demeanor of the characters are more relatable than the original story. This Derby is not a timid, mother smothered occultist wannabe, but rather a successful therapist who feels her life has become stale. Work is dull, her sex life with her husband is boring, and life seems repetitive. 

Elizabeth's life takes a drastic turn when Asa White shows up at her office, asking for help. She is initially intrigued by his request when he tells her that he has read her book about out of body experiences and that he has been having such moments. Asa is a nervous and anxious young man, and he begs for Elizabeth to visit his house so he can further explain what he's concerned about. Then Asa's phone rings, and when he answers it, he appears to have a seizure of sorts, but in a few moments he's fine and displaying a nearly opposite set of behaviors; confident and egotistical. Unknown to her, Dr. Derby had just witnessed a mystical body swap between Asa and his sorcerous father Ephraim. She agrees to visit Asa at his house, which in turn begins a chaotic spiral of events of body swapping and mistaken identity that involves Elizabeth, Asa and his father, and even her best friend Dr. Daniella Upton.

While there are noticeable differences between "Suitable Flesh" and "The Thing on the Doorstep", the spirit of the story is here and presented in a fun and memorable fashion. The film also has some interesting editing choices that also help set it apart from other current horror movies. The pacing is great and the movie ends with a violent, chaotic crescendo. 

Watch the movie trailer here!

https://youtu.be/e52fRshVMRU?si=dKlsM6rqS75QZ2hz

 

Sacrifice (2020) #476

 

In the vein of H.P. Lovecraft comes "Sacrifice", a 2021 thriller about a young man returning to the land where he was born and the family secrets waiting for him there. The isolation of being on a small island in a foreign country, persistent nightmares, and creeping realization that the local citizens are all members of some esoteric cult wear down Issac and his wife Emma until the fateful revelation and conclusion of the film. Directed by Andy Collier and Tor Mian, the movie stars Ludovic Hughes as Issac, Sophie Stevens as Emma, and Barbara Crampton as Renate Nygard.

"Sacrifice" feels like a tribute to Lovecraft and his fans, and as such it may not appeal to every horror fan. While building atmosphere, the pacing may feel slow and dragging and the actual scary moments are few and brief, all much like a Lovecraft story. As fans of Lovecraft know, it's not always about the obvious scares that matter the most. The impending doom that haunt Emma throughout the film is truly effective, as well as the mysterious motivations of the cult that seems all too welcoming. Perhaps the most poignant attribute to Lovecraft is having Issac coming back to his homeland to tie up loose strings and slowly learning about his family's haunting past secrets. Giving Issac the last name of Pickman is also a very nice touch!

I must admit that I was looking forward to this film when I learned that Barbara Crampton was attached to the project. She had hinted that she was working on a Lovecraft style movie and that was all it took. She plays an important supporting role with plenty of screen time but still allows Sophie and Ludovic to shine during their scenes. As one of the local citizens with knowledge of Issac's past, Barbara's presence is felt more so in each subsequent scene. It was truly a pleasure watching her in a Lovecraft style movie again.

We Are Still Here (2015) #427

"We Are Still Here" is an amazing ghost story that doesn't pull any punches and just wants to have gruesome scary fun. The first act is full of over used tropes and themes that makes you wonder why you're bothering with this movie at all but then it all makes sense and comes together as the second and third acts kick in and the film surpasses any and all expectations. Horror veterans Barbara Crampton ("Re-Animator" and "From Beyond") and Larry Fessenden ("Jug Face" and "I Sell the Dead") drive the film forward wit the help of Lisa Marie ("Mars Attacks") and Andrew Sensenig. Director and writer Ted Geoghegan delivers a great film and makes the brilliant move of keeping the movie under 90 minutes long; every scene is there for a reason, even during the ending credits. What I love most about this ghost story is that it turns into a monster movie and the supporting make-up and special effects are outstanding. More movies need to be brave enough to be so bold and have fun.

After the accidental death of their son, Anne and Paul move out into a snowy rural area of New England, where they hope the seclusion will help them heal from their emotional wounds. However, Anne soon begins to believe that their son's spirit is with them in their new home. After two weeks, they are visited by a couple of the townspeople who tell Anne and Paul about the horrible history associated with their house, which was originally built in 1800's as the town's mortuary. Still believing that the ghostly activity is due to their son, Anne invites her friends, two spiritualists, to come and determine if the ghost is their son or the previous owners. Soon the dark secret of the town is revealed and the all hell breaks loose.

Castle Freak (1995) #411

Director Stuart Gordon returns to familiar ground with his 1995 film "Castle Freak", which is inspired by H.P. Lovecraft's short story "The Outsider". "Castle Freak" sees the return of Jefferey Combs, as the character John Reilly, and Barbara Crampton as his wife Susan. All three professionals seem more mature and laid back in this film when compared to their earlier work such as "Re-Animator" and "From Beyond"; "Castle Freak" is a darker, has a a steady build of tension, and deals with themes more adult, such as the dealing with the accidental death of a child and alcoholism. Although the movie is only loosely based on Lovecraft's short story, the movie feels very much like a story he would have written. It follows themes that Lovecraft used several times including a lead character having a mysterious family past.

While the story is and performances are solid, the film quality of the movie is lacking, which is evident since this film went straight to the video shelf. My other complaint is the overly energetic score by composer Richard Band. His work for the "Re-Animator" series was perfect, matching the chaotic nature of the Dr. Herbert West and his ungodly creations, but in this film it stands out as a stark opposite of everything that is occurring on screen.

John Reilly, his wife Susan and his daughter Rebecca, arrive in Italy to take over an old family estate that he has inherited from an unknown duchess that he was related to. There is an immense amount of strain between John and Susan ever since he was responsible for a car accident in which their son was killed and Rebecca was left blind. As the family goes about their business of settling in and deciding what to do with the estate, the unknown and deformed inhabitant in the basement escapes and begins to watch the family. This "castle freak" begins to kill the locals and the deaths are blamed on John. As John tries to clear his name and prove his innocence, the freak sets his sights on Rebecca, resulting in a climatic fight with John on top of the roof in a rain storm.

You're Next (2011) #386

"You're Next" is a thrilling standout in the home invasion horror sub-genre. The premise presented delivers an excellent reason as to why there are so many potential victims and an even more delightful and satisfying reason as to why the film's heroine is so well suited for the chilling situation that she finds herself in. The acting is solid, the pacing is perfect, and the movie's twist and turns feel fresh and exciting even if you see them coming (which I didn't). Finally, the way that the victims are killed off one by one are creative and varied, making "You're Next" a must see horror film.

Like other home invasion horror movies of recent memory, like "The Purge" and "The Strangers", "You're Next" hides the identities of the invaders by using simple and not overly complicated masks. The use of the animal masks, which were heavily used in movie posters and other forms of advertisements, effectively strike a chord and heighten the sense of terror.

The adult children and their respective significant others gather together in a large rural house to celebrate their parent's anniversary and their father's recent retirement. During dinner, the family is attacked by a group of unknown assailants wearing animal masks. The family is killed off one by one until Erin, a new girlfriend of one of the sons, begins fighting back.

Favorite moment - A clever use using a blender to kill someone.

From Beyond (1986)

“From Beyond” holds a special place for me for a couple of reasons. One reason is because the first time I saw it was on the big screen at the Lovecraft Film Festival around 2007. Seeing a movie like this surrounded by die hard Lovecraft fans allows you to appreciate all of the fun and over the top moments that you might otherwise judge as silly if you saw it by yourself. People cheer when Jeffrey Combs and Barbara Crampton first appear on the screen and they cheer even louder with every gruesome death that takes place. The other reason why I’m fond of this movie is because I was able to meet Barbara at this showing! She gave a wonderful 30 minute Q&A session during the festival, talking about this film as well as the “Re-Animator”. She is every bit as wonderful and gracious as you could hope.

“From Beyond” is essentially a sequel to the original Lovecraft short story of the same name, picking up right before the story's climax. As I previously mentioned, this films stars Jeffrey Combs and Barbara Crampton, who both starred in Mr. Stuart's "Re-Animator". Joining this stellar cast is another horror heavy weight, Ken Foree, best known for at the time for his role as Peter from "Dawn of the Dead". This film is an improvement upon the "Re-Animator", allowing each of the actors to grow and flesh out their characters. It's great to see Barbara's Dr. McMichaels as the lead, taking control and leading the narrative.

Dr. Pretorius has created a machine called the Resonator which stimulates the pineal gland and allows those near the machine to see creatures from other dimensions. During their first experiment, something comes and kills Dr. Pretorius and his assistant Crawford is blamed for his death. Psychiatrist Katherine McMichaels and police detective Bubba Brownlee take Crawford from the psychiatric ward that he is being kept and back to the house where the Dr. Pretorius died so they can recreate the murder scene and find out what really happened. The Resonator is rebuilt, and throughout the movie both Crawford and Katherine fall under its power and exhibit strange behaviors. The three end up fighting more dimensional monsters and the perverted beast that Dr. Pretorius has become.

Favorite moment - When Bubba is consumed by dimensional bees while saving Crawford and Katherine from the Resonator.

Re-Animator (1985)

“Re-Animator” is perhaps the most famous Lovecraft film to grace the screen to date. Jeffrey Combs portrayal of Herbert West is one of the most entertaining and honest interpretations of a Lovecraft character in my opinion. He has the arrogance, stubbornness, and ambition of the Herbert West found with the original story. Mr. Combs and director Gordon Stuart are able to insert some dark humor into an otherwise grisly tale without ruining the atmosphere. While there are plenty of extra characters added and the overall narrative does not follow the short stories, enough of the theme from Lovecraft’s work is found within the movie; Herbert West is essentially a modern day Dr. Frankenstein who creates more than his fair share of monsters.

The movie begins when Herbert West transfers from The University of Zurich to Miskatonic University after learning all that he could. He quickly gets on the wrong side of Dr. Hill after accusing him of stealing the work of his professor in Zurich. West quickly convinces his roommate, Dan Cain, to assist him in his experiments in reanimating the dead. Dan’s girlfriend Megan doesn’t trust West and by the end of the movie she can pretty much blame everything that goes wrong on him. And Dr. Hill. As West and Cain perform more experiments, they have more monsters to explain and handle until the movie finally ends in a messy gory mess, all in a very 80’s, mid-range budget special effects style of course.

Favorite moment – The opening scene and when West declares “I gave him life!”; it does a wonderful job of preparing the viewer as to what kind of movie they are about to watch.