“The Bay” isn’t your typical lost footage style film; this
is a movie where a particular fatal outbreak occurs and as a result, all of the
recordings of all kinds are collected and confiscated so the government can
cover up the incident. As far as everyone is concerned and is told, warm tide
waters and high algae levels were responsible for killing thousands of fish.
The real events are revealed over the course of the movie by one of the
survivors as she gives an interview to a reporter over Skype three years after
the incident. As she explains what happened, you the audience watch the various
news reports, cell phone recordings, security cameras, online conversations
between an ER doctor and the CDC, and so on. “The Bay” took a popular filming
technique and used it in a fresh and exciting way. The best thing about this
movie is that there is very little shaky-cam, which means that you won’t feel
too motion sick if that kind of thing bothers you.
I appreciate the nature of the film and how it deals about
an avoidable environmental disaster without being preachy about it. This movie
avoids feeling like a morality lesson because the main tragedy happens in a
single day rather than a realistic span of weeks or months, and the results are
disturbing and grotesque. Without spoiling anything, I will share that certain
realistic decisions concerning local businesses and a lack of government
approval or certification have a drastic effect on the bay. After the outbreak
begins, there is a poignant scene near the end between the CDC and a Homeland
security officer showing an absolute breakdown in communication and a feeling
of indifference about the situation at stake.
“It’s just a small town.”
“What are you saying?”
“It’s a small town. You have to keep these things in
perspective.”
Favorite moment – The video evidence of the aftermath at the
hospital, filmed by the lead doctor of the ER.
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